Tampa Police Investigating Homicide at West Waters Avenue Jonee' L. Sun, 07/05/2026 - 08:21 am Tampa, Fla. (July 05, 2026)- The Tampa Police Department is conducting a homicide investigation following a man’s death early Sunday morning.Shortly after 12:30am, officers responded to the 8400-block of N. Armenia Ave where an adult man who was shot had been driven. He was taken to the hospital where he was later pronounced deceased.While early in the investigation, detectives believe the shooting happened at the 1800-block of West Waters Ave. The shooter told police a man approached his car and opened the driver’s door with a gun, he says he then pulled his own weapon out and shot.Detectives are continuing to process evidence, review surveillance video, and interview witnesses as they work to determine the circumstances surrounding the shooting. The shooter is cooperating with the investigation.Updates will be provided as the investigation allows. Posted 07/05/2026 News Tampa Police

Highlights of the BMW International Open held in Golf club München Eichenried, Munich, Germany.

Tesla has begun engineering tests of its production Cybercab on public roads in Austin, Texas, putting the two-seat robotaxi into real-world city traffic for the first time. The move marked an early step toward a driverless ride-hailing service built around a vehicle designed without a steering wheel or brake pedals.

Face pulls may not be the flashiest exercise in the gym, but they can play a major role in shoulder health, posture, and upper back strength. While many strength training routines focus on the chest, arms, and front of the shoulders, face pulls target muscles that often get overlooked.

The Cleveland Browns have agreed terms on a trade to send two-time defensive player of the year Myles Garrett to the Los Angeles Rams.

Mayor Castor to Honor Founders of Teen-Led Community Movement Robert L. Thu, 07/02/2026 - 04:39 pm On the main stage at Liberty by the Bay, Tampa Mayor Jane Castor will recognize two young leaders who responded to concerns about violent teen takeovers by creating an event for teens, led by teens.Russell Stanley Jr., 17, and Bryan Hunter, 20, will receive the Community Changemaker Award during the City of Tampa's Independence Day celebration at Julian B. Lane Park on Saturday before thousands of residents.They founded Tampa Mentality after seeing violent teen takeovers make headlines across the Tampa Bay area. Their first event, Prime Time Turf Takeover, brought more than 200 teens to the Jackson Heights NFL YET Center for an evening of flag football, music, art, and socializing, offering a positive alternative to destructive behavior.The event was made possible through partnerships with 813StopTheViolence, B.U.B.B.A., iSupplies, Safe & Sound Hillsborough, the City of Tampa Parks & Recreation Department, the Tampa Police Department, and the Hillsborough County Sheriff's Office.Both of the young men are now serving as advisors to community organizations and law enforcement agencies as they expand positive youth programming through the Safe Summer Series initiative.Russell Stanley Jr. is a rising senior at Hillsborough High School and a longstanding member of the City of Tampa Parks and Recreation Department Teens Leading Change program. He is serving his second summer as a Parks and Recreation seasonal recreational leader.Bryan Hunter also grew up participating in City of Tampa Parks and Recreation programs before becoming a seasonal employee. He is currently pursuing an HVAC internship while continuing to mentor young people in the community.The Community Changemaker Award recognizes individuals whose leadership, service, and commitment help enhance the quality of life in Tampa neighborhoods and inspire others to make a difference.The awards presentation will take place at approximately 5:15 p.m. Saturday during the City's Liberty by the Bay celebration, featuring live entertainment, family activities, food vendors, and one of the region's largest Independence Day drone and fireworks displays. Posted 07/02/2026 News General News Mayor Office News Parks and Recreation

Note: we got the $59.99 USD Bowie MC2 as a review sample form Vivi at Baseus and they can be gotten here: www.baseus.com or from any amazon outlet. So we sent a jetlagged, unschooled dementia patient and his idiot son to China to hobnob with a razor-sharp, ruthless, and disciplined strongman whose aspirations for Iran, Taiwan, and the rest of the world are wholly antithetical to ours [=US]. What could possibly go wrong? At least we have sober, stable hands guiding our FBI and military. Normally we wouldn’t get excited about yet another me-too product from a Shenzhen-based maker with a hard-to-pronounce name. Baseus, however, has earned a lot of cred with their consistently good, high-value phones—their recent Bose collaborations such as the XH1 over-ears and XC1 clip-ons (review here) are genuinely outstanding, their enticing prices notwithstanding, while the Eli Sport 1 remains an easy recommendation for open-ears. The $59.99 MC2 don’t look much different than its legion of competitors, but feels a tad lighter, plus the thin silicon connecting bridge fits over (as opposed to on top of) your helix, which maximizes comfort. I do note that these will sound unfocused and thin unless you push the earpieces close to your concha. Battery life is very good (I got around 8 h at my normal too-loud volume) and I really appreciate the physical control buttons, which works much better than the usual touch panels and prevent accidental triggers. The Baseus app allows for EQ and customizing the control buttons. Call quality (incoming and outgoing) is very good for the genre. OOTB, in their default (Baseus Classic) tuning and with bass boost enabled in the app MC2 sound warm and balanced with some emphasis on the low end. Ignore the other preset EQs, which sound flat or bass-shy. There is an app setting which enables LDAC, but which curiously disables the bass boost; I found the default (LDAC-less) tuning to sound fuller and better and my impressions are based thusly. Tonally, the MC2 straddle the line between accuracy and sweetness, which is to say that you’ll hear an overlay of sheen even as a fair amount of nuance and snap shows through. Soundstage is impressively wide, although imaging is somewhat imprecise—especially if the drivers aren’t placed right over the ear canal the position of some of the performers tends to float a bit. Bass is slightly wooly and has more width than depth—it thumps appealingly but doesn’t extend super-deep, while mids are clear, nicely-bodied and forward. Treble has limited extension but sounds very smooth, without sharp edges or sibilance, and even with the low-end emphasis overall coherence is good. Compared to our comparably-priced favorite, the Tozo Open Earring (review here), the Baseus sound fuller, bassier and present a larger stage; the Tozo have the more revealing high-end and a more natural, less-smoothed-over tonality. The excellent $69 Soundpeats Clip1 likewise show more high-end detail and sparkle; the Clip1 also have the more sculpted, deeper bass, although the MC2 actually have a more expansive, enveloping stage. Moving up to Baseus’s TOTL, $129 XC1 yields you a tauter, punchier low end, a more open-sounding soundstage and better instrument separation, although overall resolution and treble extension is otherwise fairly close; whether the “bigger” sounding presentation of the XC1 justifies the cost premium will be dependent on your use case. The MC2 aren’t a sonic breakthrough, and you can find equivalent sound quality for the same price (or in the case of QCY’s C50 even for a few bucks cheaper). However, haptic, design, call quality and battery life are as good as you’ll find for this style; given that you’re probably not choosing a clip-on for critical listening the MC2 register as one of the better picks is this this bracket. I like ‘em. Specifications Bowie MC2 NameBaseus Bowie MC2Driver Unit11 mm dynamicFrequency Response Range20 Hz – 40 kHzAudio CodecSBC, AAC, LDACBluetooth VersionV6.0Multipoint ConnectionYesLow Latency38 msBattery Capacity55 mAh/ 0.212 Wh (per earbud), 600 mAh/2.22 Wh (charging case)Playback TimeApprox. 11.5 hours (with volume at 50%, Bass Boost on) Approx. 13 hours (with volume at 50%, Bass Boost off)Playback Time with Charging CaseApprox. 55 hours (Bass Boost on) Approx. 60 hours (Bass Boost off)Water ResistanceIP67 Disclaimer Our generic standard disclaimer. Click To Join Our FB Group! 576 Reviews – A World Class Earphones DatabaseThe post Baseus Bowie MC2 Open Ear Clip-On Earbuds REVIEW – Too Much Ain’t Enough appeared first on Music For The Masses.

Chef Emeril Lagasse invites special guests to his Louisiana kitchen as he prepares delectable dishes inspired by and created in New Orleans.

Six-time major champion Phil Mickelson's representatives have described allegations of inappropriate behaviour levelled at him as an "anonymously sourced drive-by shooting".

The $79.99 USD EarFun Clip 2 have been provided by the manufacturer for my review – and I thank them for that. You can get them here. The Clip 2 are relaxed, and balanced sounding, comfortable earbuds that may stick out against their tough competition by their smoothness. They surely will become crowd pleasers. PROS Great sound Comfortable Great value CONS None at this price Introduction We are lately getting swamped with open earbuds – and happily so: a design that is reminiscent of clip-on earrings. The earpieces sit at the lower back of the ear with round speakers resting on top of the ear canals. This may be favoured by people who do not like their ear canals plugged, be it for comfort or because they do need to stay in contact with the ambient world. Clip-ons are a relatively new invention replacing the “Sennheiser type flathead earbuds” of the “olden days” (since 2001). The problem of these flatheads was that they were sitting at the wrong angle on the ear canals, which resulted in a low of bass response. The clip-ons have more low-end, and also a smaller contact area for more comfort. Specifications EarFun Clip 2 Driver: 12 mm custom Bluetooth version: 6.0 Bluetooth frequency: 2.402GHz-2.480GHz Bluetooth profile: A2DP, AVRCP, HFP Bluetooth transmission power: <7dBm (for EU) Battery capacity: 60 mAh x 2(earbuds); 490 mAh( charging case) Charging time: .5 hours (earbuds via charging case), 2 hours (earbuds and charging case via USB-C), 3.5 hours (earbuds and case via wireless charger) Playtime (varies by volume level and audio content): LDAC OFF–Up to 11 hours. Totally 40 hours with the charging case. LDAC On–Up to 6 hours. Totally 22 hours with the charging case Dimensions: 70mm x 48.1mm x 29.2mm Tested at: $79.99 / €79.99 / £69.99. Product Page/Purchase Link: my earfun.com Physical Things and Usability In the box are the two clip-ons in their case, a USB cable, and the usual paperwork. In the box… Charge case with earpieces. That pinhead LED indicates charge levels. As with all the other clip-ons, the Clip 2’s earpieces are so comfortable that you don’t really feel them. There is a well organized free app that offers the usual EQ presets (Pop, Rock, Classical, proprietary settings by some “influencers”), and a 10-channel parametric equalizer. Sonics These Clip 2 are really pleasant on my ears with their very disciplined, accurate, relaxed, smooth presentation. The tonality is dosed right across the frequency spectrum: not fatiguing and also not boring. A great balance. Notes are well composed with a realistic decay and well defined leading edges, there’s nothing splashy. In the app’s default setting, the bass is slightly lifted to add some warmth to the image, which also adds a good depth to the already wide stage. Soundstage is surprisingly wide but not very deep, with quite an impressive headroom. Notes are not as dry as in some other clip ons, I use them (a lot) for both music and spoken-word podcasts. All this makes for non-clinical however accurate delivery. Very enjoyable – and likely a crowd pleaser. Microphone Test Propaganda EarFun keep sending us propaganda material that aims to demonstrate that their gear is better than the more expensive competition despite their lower price. In the EarFun Air Pro 4+ /Apple AirPods Pro 3 case, this was not warranted, though the Pro 4+ are good, enjoyable earphones and excellent value for money. As to the table below, I cannot comment at all as I don’t know any of these competitors, Loomis has reviewed the Bose. But at least Earfun and Bose have always been friendly, whereas Shokz sit on a high horse and keep ignoring us, possibly out of fear not being competitive. There are other, lower-priced competitors to the Clip 2, which this table does not show, for example the TOZO Open Earring, the Baseus Inspire XC1, and the SOUNDPEATS Clip 1. All of these are very good, too, in their own right, and it would be cumbersome for me to nitpick them apart. Where the Clip 2 score is probably on their balance and smoothness. In terms of tonality, the Clip 2 are similar to the TOZO Open Earring, but play wider, airier, and more open….and LOUDER, which justifier their price difference. The TOZOs are denser, drier, and quieter. The difference is not so noticeable for podcasts and spoken word, but obvious when playing music. One thing for sure: EarFun’s model numbers are ALWAYS one figure ahead of the competition’s. The EARFUN Clip 2 are well made, well tuned clip-ons that will please everybody. Concluding Remarks The EarFun Clip 2 are excellent Open Ear earbuds at an affordable price that join a pool of similarly good competitors. Their pleasant, balanced, relaxed presentation will appeal to anyone. They certainly do to my ears. I rate these above the already very good EarFun Air Pro 4+ in ears. The Clip 2 are crowd pleasers. Can’t go wrong with them. Until next time…keep on listening! Found this article useful? Share it on Social Media: 462 Reviews – A World Class Earphone DatabaseCheck out our other earphone reviews. Disclaimer Get it from XXX Store Our generic standard disclaimer. Click To Join Our FB Group! The post EarFun Clip 2 Open Ear Wireless Earbuds REVIEW – Can’t Go Wrong appeared first on Music For The Masses.

North Idaho College Promises Graduates a Job in 6 Months, or Free Training Emma Whitford Tue, 07/07/2026 - 03:00 AM Byline(s) Emma Whitford

خاستگاه‌های اقتدارگرا و فاشیستیِ ایدئولوژی‌ ارتجاعی در دورۀ میان‌ دو ‌جنگ Author لورن گلدنر Submitted by Majid00 on July 8, 2026 Attachments فصل چهارم.pdf (2.3 MB) فارسی Comments

The $39.90 (street $29.90) Haylou Flowbuds N55 earphone has been provided by the company for my review – and I thank them for that. You can get it from amazon.com and aliexpress. The Haylow Flowbuds N55 are good and unique sounding budget earphones if you apply the app settings given below. PROS Decent sound with a good volume after some fiddling with the app settings App can generate relaxing sounds (wind, rain…) Small, nifty case Good build CONS Most sound presets in the app are terrible Not the loudest volume output in most settings ANC not as good as claimed Have to register for the app Marketing in the free app Introduction The brave and ambitious people at Haylou had been struggling through last year catching up with their competitors. They released the decent ANC headphone Haylou S40 recently (our 2 reviews here), and even one of our friends found very much pleasure with it. The company, however, is still the underdog compared to the more established SOUNDPEATS, Earfun, etc. The Flowbuds N55 sounded meh to my ears out of the box/case, but only initially. Either I had missed the right insertion or these little rascals needed a break-in, but after some time, they sound actually quite good…with the right settings. As is the case with any of these TWS earphones, their sonic signature strongly relies on the associated free app. First, what’s annoying is the signing-up procedure…yes, to have to tell them everything about yourself, at least that’s how it appeared to me. No signing up/in, no surrender of your email address = no app. Specifications Flowbuds N55 Choose these settings for optimal results. Wearing style: In-ear Driver: 2.4mm Titanium-coated composite diaphragm Frequency response: 20-20,000 Hz SNR: 65dB Impedance(Ω:) 32Ω Microphone: MEMS, sensitivity -38dB Chipset: JL7096D6 Transmission range: 360°, over 10 m (open, unobstructed space) Connectivity: Bluetooth 6.0 Control type: Touch Buttons Buttons: 2 MFB touch controls on earbuds, 1 physical button on charging case Functions: Call control, play/pause… Charging case battery capacity: 475 mAh (charging time 2.5h) Earbud battery capacity: 60mAh (charging time 1.5h) Playtime: up to 10 h (60 h total) Tested at: $39.99 USD Product page: haylou.com Purchase Link 1: amazon.com Purchase Link 2: aliexpress Physicals, Sonics, and ANC Next, the password craze upon registering…whatever I did, the app would not accept it. Same with the S40 previously. Am I stupid? In the end, it worked somehow. Once I was in, I noticed that the functionality is paired with marketing their other gear. The good: you have to specifically look for their marketing, it does not jump automatically in your face. The app offers first and foremost equalization: 9 EQ presets (Default, Bass, Soft, Rock, Classical, etc.). For DIY people, there is a 10-band parametric equalizer. As is typical for these apps, the “Default” presets work best for me but in this case it is “Pop”. Defaults sounds to my ears as somebody has removed the mids and poured concrete on the bass, the other presets don’t sound any more inspiring either. The parametric equalizer, in contrast, produced some kind of “underwater” sound as if I listened from an aquarium. Maybe I am just incompetent…but then again, my patience is limited. You’ll figure it out. But “Pop” works okay. There’s also secondary, additional settings under the label “Sound Market”: the “Soft and Immersive” setting at least enhances the volume while putting a thin veil over the sound, which increases depth. Without the Sound Market, the overall volume is rather quiet…no good for people with hearing impairments. In the box… The earpieces fit my ears well. As to listening with “Pop” and “Soft and Immersive”…it sounds, errr…soft and immersive…at least to some extent; in reality it has quite some pizzazz but no aggressive treble. I get a lot of headroom, a big stage in all directions, and a good holographic reproduction…actually a surprisingly good one. Haylou fudge this intelligently at the expense of a splashy however forward midrange and diminished midrange resolution. You turn the volume up and get a bit of a goo in terms of instrument separation whilst placement of players remains excellent. Bass is nice ‘n’ tight and delivers some punch without being overdone. I find it very pleasant on my eardrums. Sub bass digs down deep with a good vibrancy. On the top end, the treble is sweeter than nectar…or safe as milk as they say. Overall, you get a BIG, agreeable sound with these settings. To use an analogy, the Flowbuds N55 sound more like a turntable than a CD player. Nothing audiophile, everything pleasant. Without “Soft and Immersive”, you get less punch, as shallower stage, less rounded notes…and much less volume. Apart from tuning the Flowbuds N55, the app also offers unique soundscapes for relaxation such as wind, rain, old vinyl etc.The microphone works fine, too. Here a sound sample: Coming to the ANC, the app gives you the standard options of “ANC, Adaptive ANC, Off, and Transparency”. Haylou claims up to -54 dB noise reduction, which would be 25 dB higher than standard industrial earplugs. In fact, almost all competitors claim such a number…that is unrealistic. And indeed, when using the ANC outside the house, it does not suppress the traffic noise very well at all, like most of their competitors. I’d rather claim the ANC is underwhelming. The current ANC industry leaders are the Apple AirPods Pro 3 that even beat the very best Bose headphones. For optimizing the Haylou Flowbuds N55’s sonic performance, I recommend the following simultaneous app settings: “Pop” AND “Soft and Immersive”. Concluding Remarks Overall, I quite like the Flowbuds N55, not because they are the last word in audiophilia – they are clearly not – but because they produce a very pleasant, non-fatiguing listening experience that also does NOT get boring after a while. IMPORTANT! While writing this, I have been listening to them all the time – and enjoyed them. In fact, I took them on my 3-week trip to Europe as the only TWS earphones…and they did a good job for me. Most importantly, they are different from their competitors such as Earfun, etc., and come at a lower price. However, Haylou still has to do some homework by improving their EQ presets and the ANC. Overall, if you find them for $30 bucks somewhere, how could you resist?Until next time…keep on listening! Found this article useful? Share it on Social Media: 462 Reviews – A World Class Earphone DatabaseCheck out our other earphone reviews. Disclaimer Get it from XXX Store Our generic standard disclaimer. Click To Join Our FB Group! The post Haylou Flowbuds N55 REVIEW – Second Coming appeared first on Music For The Masses.

Gaya Simulations has recently issued an update to their rendition of Corfu International Airport (LGKR) for Microsoft Flight Simulator 2024, aiming to reduce the package size and remove redundant assets to optimize VRAM usage. ​ Patch 1.0.2 is mainly an optimization patch, reducing the scenery’s file size to only 1.8 GB and removing redundant assets to lower the overall VRAM footprint. ​ The scenery is available on Contrail for roughly $16.28, requiring 1.8 GB of free hard disk space to install. If you enjoy our content and want to support Threshold, consider joining us on Patreon!

The £999.00 ifi Audio NEO Stream 3 was provided as loaner by Ashley at Hummingbird Media for my review and has been returned to her; you can find the product page for the Stream 3 here. II’ve found watching NBA to be a genuine respite from the nonstop drumbeat of bad current events, so of course our mad king had to usurp our escapist pleasure by making a royal appearance at (and sleeping through) the Knicks game. Which, predictably, they lost for the first time in 14 games. If he starts showing up at Lollapalooza I’m going to abandon all hope and move to El Salvador, where the dictators are far more vigorous. In other news, the ifi NEO Stream 3 is a very solidly built, paperback-sized $999 network streamer, preamp and DAC which is intended as an all-in-one box you can simply plug into a power amp (or more likely, powered speakers) without the need for bulky, costly additional components. Connectivity is really impressive, with virtually every kind of digital/analog input and output you’ll need I also appreciated the inclusion of (cheap but functional) RCA analog and ethernet cables and Ethernet-to-optical adapter, which enabled me to use the Stream 3 as a standalone DAC for my recent crush, the SMSL PL100 Pro CD Player (review here). Viscerally, even before I started listening the Stream 3 registers as lot of machine for the money. Set-up is fairly easy (I bypassed Roon and some of the customization options) and the iFi Nexis app is straightforward and easy to navigate. Said app enables you to use your phone as a remote and to adjust all of the settings of the Stream 3, however I used the front control knob (which is quite intuitive) for set-up. The TFT display is small but legible; it will show playback mode, sample rate and audio format, as well as cover art when audio is playing. As is typically the case, the various digital filters have only a small audible effect on the sound; I did most of my testing with the “bit-perfect” filter, which ostensibly eliminates some digital artifacts. There is also an onboard “K2HD mode”, which as I understand it is a form of upsampling function to enhance degraded or lower quality files. It did seem to add more detail and openness to certain recordings, but also tended to inject an artificial brightness, so I generally left it off. There’s no headphone section, which is a curious exclusion which somewhat undermines the Stream 3’s do-it-all position. I tested the NEO Stream 3 as a standalone player and preamp (with Spotify Hi-Rez and FLAC files from a connected hard drive) through its analog outs to a neutral-to-slightly warm-sounding Acurus A100 amp and my very uncolored PSB Synergy speakers. The ifi’s sound is best summarized as “clean and crisp”, which is to say somewhat lean-textured, bright (though free from sharpness) and well-extended at the high end. Low end is well-sculpted, with very fast attack, though measured in depth and quantity. Soundstage is expansive and uncluttered—large scale orchestral works and multi-part harmonies are well-sorted out. Microdetail is very present—listen closely and you’ll hear every drumstick tap and woodwind trill, which in fairness does give heavier fare a slightly sterile (as opposed to richer) character. As advertised, there is no audible digital crud or background noise; everything sounds almost unnaturally transparent I next used the Stream 3 as a pure transport connected to my beloved SMSL RAW DAC1, which uses AK chips instead of the ifi’s Burr Brown. Like the Stream 3, the SMSL is very transparent and detailed at the high end, but has a thicker note texture and considerably more low end presence and howl; the SMSL also sounds comparatively more forward and energetic. I tended to prefer the DAC in the fuller-bodied SMSL for uptempo stuff and the better-resolving, more studio-accurate Stream 3 for acoustic and vocals. I next compared the NEO Stream 3 to Wiim’s cheap ($219) but well-regarded Wiim Pro Plus, which, plastic build aside, offers much of the functionality of the NEO Stream 3. Predictably for the price, as a player the Wiim can’t play in the same league as the NEO Stream 3—the Wiim has a warmer, smoother sound which presents considerably less information and nuance that the Stream 3; the Wiim also has a woolier, less controlled low end and an audibly less quiet background. As a transport (connected to the same SMSL DAC), however, the contrasts are more muted—the fancier power supply, capacitators, micorporcessors and other hardward on the iFi have an audible effect of cleaning up power and incoming signals, such that the music has a blacker background and a more etched quality on the Stream 3. This is most noticeable on bass-heavy genres, where the cheaper Wiim sounds boomier/less controlled. In all candor, the sonic differences aren’t massive, although for us fanatics paying thousands of dollars to achieve barely-measurable improvements, and considering the superior aesthetics, the price differential seems well-justified here. I’d also place the ifi a tier above the Bluesound Node, which has a very good OS but a less resolving onboard DAC. I don’t have a kilobuck streamer like the Aurender or Lumin on hand to compare, though I’ve spent many a Saturday afternoon listening to both and I cannot state categorically that (purely as transports) any performance difference is cost-justified. The NEO stream 3 does exactly what it advertises—clean up power, deliver bit-perfect playback and eliminate any audible distortion. As averred above, the onboard DAC on the NEO Stream 3 isn’t transcendant, and purists will of course shudder at the notion of an all-in-one device and insist on bulkier separate boxes. For most saner folks, however, the Stream 3 is about as good as you’ll need; add in the diminutive form factor and the sub-$1000 tier and the Stream 3 is ultimately an easy recommendation. Specifications NEO Stream 3 ANALOGUE OUTPUTS4.4mm Balanced, SE RCAANALOGUE OUTPUT VOLTAGEBalanced 4V RMS; SE 2V RMSDIGITAL INPUTSWi-Fi; Ethernet (RJ45, M12-X, Optical); 2x USB-A; USB-C (front)DIGITAL OUTPUT2x USB-A; S/PDIF Optical; S/PDIF Coaxial; AES/EBU; I2SDIMENSIONS214 x 151 x 41mm (8.4 x 5.9 x 1.6”)HI-RES SUPPORT768kHz PCM; DSD512 (22.6MHz)LIMITED WARRANTYUK and US – 12 months* EU – 24 months*NET WEIGHT1.0 kg (2.26 lbs)OUTPUT IMPEDANCEBalanced ≤74Ω; SE ≤37ΩPOWER CONSUMPTION≤0.5W idle; 14W max.SNR≥106dBA @ 0dBFSSYSTEM UPDATEUSB-C (back)THD+N≤0.0025% @ 0dBFSPOWER SUPPLY REQUIREMENTDC 9V/2A; 12V/1.8A; 15V/1.2A (centre +ve)TESTED AT£999.00PRODUCT PAGEifi-audio.com Found this article useful? Share it on Social Media: Click To Join Our FB Group! Our 153 DAC & Amp ReviewsThe post Ifi NEO Stream 3 Network Audio Streamer With Integrated DAC REVIEW – Follow The Bouncing Ball appeared first on Music For The Masses.

Haeran Ryu recovered from a rough start to secure her first career major title, winning the KPMG Women's PGA Championship by two shots over Ina Yoon on a windy Sunday at Hazeltine National Golf Club.

Fargo, North Dakota, has a debt number big enough to stop a city commission meeting cold: about $1.37 billion.