Sweden’s Nephila release their second album, Huldra, tomorrow through Majestic Mountain Records. Comprised of nine meticulously-arranged, dually-vocalized, organ-laced, folk-informed-and-folkloric pieces of conceptually-minded classic heavy rock with influences from Thin Lizzy (“Capercailles Hymn”) to shuffle-boogie (“The Living Grace”) to a whole lot of ’70s prog — always for Sweden, one thinks of November, but this is a bigger, broader sound and that’s clearly on purpose — and somehow distilling it into a cohesive, dynamic and varied sound across 38 minutes, the record comes at you with a lot and doesn’t leave any move it makes unjustified. Opening with the organ-and-vocal buildup of “Mother of the Woods,” it sets an immediately and suitably naturalist atmosphere and grows heavier from there as the guitars, bass and drums make their way in, unhurried even in a bit of guitar shred as the seven-piece (!) set the mood for what follows, vocalists Josephine Asker and Linn Edlund offering a richness of melody that becomes the thread uniting the songs. Whether it’s a riffier hit like “In Her Hands” or the catchy “The Hidden Folk,” which follows — and no, the folk isn’t really hidden; they’re talking about people in the forest — or the timely ebbs and flows of leading to the ready-for-the-big-stage-at-the-festival crescendo of “Solar Eclipse,” there is no move the band make without solid ground under their feet, and yet the primary impression Huldra makes is one of absolute soar. This persists throughout, and one of the most fortunate aspects of Huldra is that the band are able to maintain the energetic standard they lay out for themselves. “The Hidden Folk” is careful in its way, and tastefully executed, the tones of Jacob Hellenrud and Anton Athley — what, you thought they’d have two singers and one guitarist? this is a seven-piece, remember; they’ve got masks for everybody who wants one — holding to their shimmer in “Ash Their Bones” as Charlie Andersson Vistbacka‘s bass and Johan Lööf‘s drums playfully twist and Johan Larsson‘s organ work adding lushness to the melodies and groove alike. Side A is very much an A-side, and by that I mean as they work their way toward “Capercailles Hymn” as the record’s centerpiece, the songs are direct in their engagement and let the mood emerge from the overarching feeling of movement between them. Side B, on the other side of that take-a-breath not-quite-instrumental two-and-a-half-minute divide, which indeed ends vocalizing on a fade, starts proto-metallic with the album’s title-track, and with that subtle atmospheric shift, begins to branch out on what the first half accomplished. The crucial pair of “Solar Eclipse” and “The Living Grave” follow, back-to-back as the only two songs over five minutes long, the latter the longest at 5:44, and the harmonies between Asker and Edlund are on full display as the sound-defining strength that they are, conveying a wistful awe in the early going of “Solar Eclipse” en route to the already-noted peak that song climbs. “The Living Grave,” meanwhile, is a full-on ’70s bask, daring toward a Deep Purple-y organ jam in its middle, not really meandering but backing the solo in a different and more open-feeling manner. Of course they bring it around to the hook again to close, in rousing fashion. Does that make the slide-inclusive closer “F.I.N.N.” an afterthought? Not really. On paper, one might argue for it as epilogue following “Solar Eclipse” and “The Living Grave,” but the truth of listening is that the light-footed stomp of the verse, the stop under the vocals of the bridge and the surge that follows claim their own space, standout lines about bowing to ‘the goddess’ feeling appropriate to the vibe as a culmination/landing point for the album as a whole. It’s a big finish, then, but more about the near-gospel heights of the vocals than an instrumental blowout, which is consistent with what’s come before; again, the cohesion, unflinching, as perhaps it would need to be for a band like this to work either in terms of aesthetic or songcraft without coming apart at the seams, never mind to be as strident as Nephila are in this material. You’ll find Huldra streaming on the player below in full. Under that, the PR wire has more background about the concepts and themes the album is working with, and the video for the title-track. Please enjoy: Pre-order link: https://nephilamusic.bandcamp.com/album/huldra At the heart of HULDRA lies an ambitious concept inspired by the legend of the skogsrå, the enigmatic forest spirit of Nordic folklore. Across the album, every song becomes another chapter in a world built around this captivating figure, who acts as both narrator and guide through an untamed landscape where beauty and danger exist side by side. That symbolism runs throughout the album. Historically, women who challenged the expectations of their time, whether through independence, ambition, or simply refusing to conform, were often misunderstood, demonized, or feared. In Nephila’s interpretation, the skogsrå becomes a powerful reflection of that history: a woman who answers to no one, ruling her own world while society casts her as both temptation and threat. The album explores identity, freedom, power, and our instinctive longing for places beyond civilization, allowing ancient mythology to speak directly to modern anxieties. The road to HULDRA has been anything but straightforward. The project took more than three years to complete, slowed by the aftermath of the pandemic, lineup changes, and the arrival of new members. Just as the record neared completion, another setback followed when the label originally scheduled to release the album declared bankruptcy in 2025, forcing Nephila to postpone its release once again. Undeterred, the band continued refining the record. During the late summer of 2024, Nephila recorded HULDRA between guitarist Jacob Hellenrud’s studio and a remote former orphanage in Lappnäs, a setting whose isolation and atmosphere seeped naturally into the music. The wait is finally over. On August 28, Nephila will release HULDRA through Majestic Mountain Records, inviting listeners into their most haunting, cinematic, and emotionally profound work to date. It is an album where classic heavy rock collides with Nordic folklore, where towering riffs meet haunting melodies, and where the forest itself becomes both storyteller and sanctuary. Tracklisting: 1. Mother of The Woods 2. In Her Hands 3. The Hidden Folk 4. Ash Their Bones 5. Capercailles Hymn 6. Huldra 7. Solar Eclipse 8. The Living Grave 9. F.I.N.N Line-up Josephine Asker – Vocals Linn Edlund – Vocals Jacob Hellenrud – Guitar Anton Athley – Guitar Charlie Andersson Vistbacka – Bass Johan Larsson – Organ & Keyboards Johan Lööf – Drums Nephila, “Huldra” official video Nephila on Bandcamp Nephila on Instagram Nephila on Facebook Majestic Mountain Records store Majestic Mountain Records on Bandcamp Majestic Mountain Records on Instagram Majestic Mountain Records on Facebook